this is my second series that follows the style of Henri Cartier Bresson. i really tried to incorporate people in this series. i also shot in B&W and used geometric shapes. in this series i really tried to use the shapes to frame the people that i used. like in my 1st picture the fence in framing the construction worker and in my 5th photo the construction caution sign points directly to a man. my last pic moves away from his style but i thought that it looked cool so put it in.
very nice improvement from your lasts series. I like how each photo is taken from a unique angle. I like how they are bizarre and sometimes even abstract.
ReplyDeleteOverall, great job! I agree with Max, I think the angles you took the pictures from are very cool. I think that each picture has so many unique and different geometric shapes, and my favorite one is the last one of the plant because I think the texture of it is amazing.
ReplyDeleteI love all of these photos and the timing that was needed in order to capture all of them was really well thought out. I also really like the last one, but I don't know if it fits with the rest in the series. Other than that they're great!
ReplyDeleteWhen I first glimpsed at these photos I didn't think they were legitimate people. It seemed as if they were posed to complement your picture. When I clicked on them (and realized they were real), I really was surprised with your timing and how you managed to include people in the photos. These photos are great. Upon reexamining them, it seems as if these people were meant for your photos- really great work. You're work with shapes and lines is also improving and adding a lot to your pictures. Again, I really liked this set.
ReplyDeleteI really like the third photo from the bottom, interesting use of shape and lines. Generally this whole series is very nice, I'm excited to see more to come!
ReplyDeleteFANTASTIC PHOTOS. the way you used leading lines really created good depth. one thing, the last photo doesnt really fit with your others. KEEEP UP THE GOOD WORK
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